Your Questions, Answered
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No. When used properly, it will not cut or damage pages.
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Yes, it is made with strong materials and tested for durability under normal use.
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Yes! The memory plastic clips are designed to fit even thick stands securely.
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Yes, it is designed to hold multiple pages and thicker books securely.
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Yes. It works for pianists using a hard music folder on a piano stand.
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Yes. For best results, use it with a hard music folder placed on the stand.
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Yes, the clips slide up and down on either side for a custom fit.
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It is not recommended for soft folders. A hard surface works best for secure clipping.
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Yes. It works indoors and outdoors, helping with wind, drafts, and pages that won’t stay open.
Reviews
“Hold that note! Your music stand is now, at last, complete!
Any musician knows that wind (whether outdoor gusts or indoor drafts) can absolutely ruin performances and practice sessions alike. However, regular music clips like clothespins do not allow for fast page turns when timing matters!
The Wind Wynder solves all of these issues and with the versatility that makes it useful on any music stand, for every situation. Whether you play outdoor gigs and concerts, practice in front of a fan, or just want to always make sure your sheet music stays open to the page you are playing, you will not find a more effective solution than the Wind Wynder.
It’s just one of those things you have to try to believe, then you will be recommending it to everyone!”
James Engman
"This product does everything advertised. Only a musician could design something that so perfectly handles unruly pages during a performance. From the outstanding workmanship to the protective velour bag, every detail is well thought out. Even after heavy use, my Windwynder still works perfectly."
Bruce Chidester
“It’s a great little gadget and I wish music shops here sold them! Now I can put my music books up without my pages turning over! Thanks again for coming to my aid!”'
June Munro
“A weather-beating answer to a tricky element of playing outside.”
The Strad Magazine